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dc.contributor.advisor Frederick, Helen
dc.contributor.author Zuckerman, Sarah
dc.creator Zuckerman, Sarah
dc.date 2016-04-29
dc.date.accessioned 2016-10-09T14:44:54Z
dc.date.available 2016-10-09T14:44:54Z
dc.identifier.uri http://hdl.handle.net/1920/10483
dc.description.abstract Fingertip to fingertip, I stretch my arms to their fullest extension, this length, this beginning to an embrace, is a fathom. A fathom measures depth as a line cast into the sea slips through the stratum below. It is enveloped by darkness as it sinks to the ocean floor. Beyond a six fathom drop everything is lost. ix The response of the line to the touch of my fingers, the response of my fingers to the resiliency of the line. Copper curves form Intuitive configurations. Particles catch in these arcing lines of ebbing corporeal mass. Remnants accumulate amidst the ritual of tides. Vestiges of light shift quickly, I trace their forms. Elemental atrophy releases echoes held in the recesses of copper residue. Lengsel is the length of longing. The reach to something that cannot be grasped. Something beyond the sixth fathom. en_US
dc.language.iso en en_US
dc.subject Fathoms en_US
dc.subject papermaking en_US
dc.subject printmaking en_US
dc.subject motion en_US
dc.subject measurement en_US
dc.subject memory en_US
dc.title Fathoms en_US
dc.type Thesis en_US
thesis.degree.name Master of Fine Arts in Art and Visual Technology en_US
thesis.degree.level Master's en_US
thesis.degree.discipline Art and Visual Technology en_US
thesis.degree.grantor George Mason University en_US


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