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Framing Grief: Funeral Flower Frames in America, 1860-1920

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dc.contributor.advisor Goldsborough, Jennifer
dc.contributor.author Askew, Janie Rawles
dc.creator Askew, Janie Rawles
dc.date 2018-04-26
dc.date.accessioned 2018-07-02T13:37:03Z
dc.date.available 2018-07-02T13:37:03Z
dc.identifier.uri https://hdl.handle.net/1920/11038
dc.description.abstract The multitude of flowers frames used in American mourning culture of the nineteenth century up to World War I have left behind a vivid, visual history of the changing perceptions about death. This thesis will explore how funeral flower frames reveal an emotional and cultural shift from fears of hellfire and damnation, to a concept of restful sleep for the redeemed soul and hope of being reunited in a better place. The use of flowers at funerals evolved from a way to mask the physical and sensory ugliness of death to messages of religious and sentimental beauty, to individualized and symbolic representations of the deceased, and finally to conventional tokens for the funeral director to use decoratively. This thesis will explore the relationship between the presence of wire flower frames at funerals and the changing perceptions of death throughout the nineteenth century and up to World War I.
dc.language.iso en en_US
dc.subject floriculture en_US
dc.subject funerals en_US
dc.subject flowers en_US
dc.subject mourning en_US
dc.subject flower arrangement en_US
dc.title Framing Grief: Funeral Flower Frames in America, 1860-1920 en_US
dc.type Thesis en_US
thesis.degree.name Master of Arts in History of Decorative Arts en_US
thesis.degree.level Master's en_US
thesis.degree.discipline History of Decorative Arts en_US
thesis.degree.grantor George Mason University en_US


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