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dc.contributor.advisor Streckfus, Peter
dc.contributor.author McHale, Caely
dc.creator McHale, Caely
dc.date 2020-05-08
dc.date.accessioned 2021-09-15T13:34:27Z
dc.identifier.uri http://hdl.handle.net/1920/12020
dc.description This thesis has been embargoed for 10 years. It will not be available until May 2030 at the earliest. en_US
dc.description.abstract This thesis works in the language of the feminine body, the fertile landscape, and the recurring dream. In this dream world, the feminine body is at the center. We expand and create. We move with the ever-present poetic moon. We, the feminine, engage with landscape and lineage on an urgent bodily level. In what ways have the body and the landscape evolved or mutated together? Where does the environment end and the body start? Are these boundaries even necessary? The Moorlands strives to give temporary form to liminality, to invoke kinship across all species, to consider consequences, and to evoke wonder at the total strangeness of being alive. en_US
dc.language.iso en en_US
dc.subject Poetry en_US
dc.subject Landscape en_US
dc.subject Ecopoetry en_US
dc.subject Fragment en_US
dc.subject Ecopoetics en_US
dc.title The Moorlands en_US
dc.type Thesis en_US
thesis.degree.name Master of Fine Arts in Creative Writing en_US
thesis.degree.level Master's en_US
thesis.degree.discipline Creative Writing en_US
thesis.degree.grantor George Mason University en_US
dc.description.embargo 2030-05-08


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