dc.contributor.author |
Breen, Robert
|
|
dc.contributor.author |
Porterfield, Cpl Robert
|
|
dc.date.accessioned |
2009-08-21T16:02:12Z |
|
dc.date.available |
2009-08-21T16:02:12Z |
|
dc.date.created |
1946-01 |
en_US |
dc.date.issued |
1995-01-26 |
en_US |
dc.identifier.other |
00000017_1sc3 |
en_US |
dc.identifier.uri |
https://hdl.handle.net/1920/4703 |
|
dc.description |
Proposal. |
en_US |
dc.description |
Includes some notations in pencil on page 4 (numbered page 3) of the document. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.relation.haspart |
Addenda A, An Indication of tax Methods Used in Other Countries to Provide Funds for National or State Theaters as of 1939 |
en_US |
dc.relation.haspart |
Addenda B, The Fifth Year of England's C.E.M.A. (Council for the Encouragement of Music and the Arts) |
en_US |
dc.relation.uri |
http://www.aladin.wrlc.org/dl/collection/hdr?bren |
en_US |
dc.subject |
Proposal of a plan for a U.S. Public Theatre Foundation |
en_US |
dc.title |
A Plan for United States Public Theatre Foundation |
en_US |
dc.type |
Text |
en_US |
dc.source.extent |
8.5 x 11 " |
en_US |
dc.source.repository |
George Mason University. Libraries. Special Collections & Archives |
en_US |
wrlc.object.color |
b/w |
en_US |
wrlc.capture.device |
HP Scanjet IIC |
en_US |
wrlc.source.folder |
19 |
en_US |
wrlc.object.resolution |
300dpi |
en_US |
wrlc.collection.identifier |
bren |
en_US |
wrlc.source.item |
1 |
en_US |
wrlc.object.pages |
21 |
en_US |
dc.subject.corpname |
Federal Theatre |
en_US |
dc.subject.corpname |
Council for the Encouragement of Music and the Arts (CEMA) |
en_US |
dc.subject.corpname |
American National Theatre and Academy |
en_US |
dc.subject.corpname |
Congress of the United States |
en_US |
dc.subject.corpname |
U.S. Public Theatre Foundation |
en_US |
dc.subject.corpname |
Central Board of the Public Theatre Foundation |
en_US |
dc.subject.corpname |
New York Critics' Circle |
en_US |
dc.subject.corpname |
National Theatre Conference |
en_US |
dc.subject.corpname |
National Theatre and Academy |
en_US |
dc.subject.corpname |
League of New York Theatres |
en_US |
dc.subject.corpname |
Theatre Wing |
en_US |
dc.subject.corpname |
United Services Organization (USO) |
en_US |
dc.subject.corpname |
Argentina |
en_US |
dc.subject.corpname |
Austria |
en_US |
dc.subject.corpname |
Belgium |
en_US |
dc.subject.corpname |
Brazil |
en_US |
dc.subject.corpname |
Bulgaria |
en_US |
dc.subject.corpname |
Chile |
en_US |
dc.subject.corpname |
Colombia |
en_US |
dc.subject.corpname |
Cuba |
en_US |
dc.subject.corpname |
Czechoslovakia |
en_US |
dc.subject.corpname |
Denmark |
en_US |
dc.subject.corpname |
Equador |
en_US |
dc.subject.corpname |
Egypt |
en_US |
dc.subject.corpname |
England |
en_US |
dc.subject.corpname |
Estonia |
en_US |
dc.subject.corpname |
National Theatre and Opera at Prague |
en_US |
dc.subject.corpname |
Royal Theatre of Denmark |
en_US |
dc.subject.corpname |
Finland |
en_US |
dc.subject.corpname |
National Theatre of Finland |
en_US |
dc.subject.corpname |
Swedish Theatre at Helsingfors |
en_US |
dc.subject.corpname |
France |
en_US |
dc.subject.corpname |
Comedia-Francaise |
en_US |
dc.subject.corpname |
Odeon |
en_US |
dc.subject.corpname |
Opera Comique |
en_US |
dc.subject.corpname |
Germany |
en_US |
dc.subject.corpname |
Greece |
en_US |
dc.subject.corpname |
Hungary |
en_US |
dc.subject.corpname |
National Theatre of Hungary |
en_US |
dc.subject.corpname |
Royal Hungarian Opera |
en_US |
dc.subject.corpname |
Royal Hungarian Theatrical Academy |
en_US |
dc.subject.corpname |
Iceland |
en_US |
dc.subject.corpname |
Iran |
en_US |
dc.subject.corpname |
Irish Free State |
en_US |
dc.subject.corpname |
Abbey Theatre |
en_US |
dc.subject.corpname |
School Drama League |
en_US |
dc.subject.corpname |
Italy |
en_US |
dc.subject.corpname |
Lithuania |
en_US |
dc.subject.corpname |
Mexico |
en_US |
dc.subject.corpname |
Netherlands |
en_US |
dc.subject.corpname |
Norway |
en_US |
dc.subject.corpname |
Poland |
en_US |
dc.subject.corpname |
Portugal |
en_US |
dc.subject.corpname |
Rumania |
en_US |
dc.subject.corpname |
Russia |
en_US |
dc.subject.corpname |
Moscow Art Theatre |
en_US |
dc.subject.corpname |
Salvador |
en_US |
dc.subject.corpname |
National School of the Theatre (Salvador) |
en_US |
dc.subject.corpname |
Siam |
en_US |
dc.subject.corpname |
Spain |
en_US |
dc.subject.corpname |
Conservatory of Music and Declamation (Spain) |
en_US |
dc.subject.corpname |
Sweden |
en_US |
dc.subject.corpname |
Royal Dramatic Theatre (Sweden) |
en_US |
dc.subject.corpname |
Lyric Theatre (Sweden) |
en_US |
dc.subject.corpname |
Switzerland |
en_US |
dc.subject.corpname |
National Theatre at Zurich |
en_US |
dc.subject.corpname |
Turkey |
en_US |
dc.subject.corpname |
Venezuela |
en_US |
dc.subject.corpname |
Yugoslavia |
en_US |
dc.subject.corpname |
Theatre Royal, Bristol |
en_US |
dc.subject.corpname |
Lyric Theatre, Hammersmith |
en_US |
dc.subject.corpname |
Adelphi Players, Number One Company |
en_US |
dc.subject.corpname |
Adelphi Players, Number Two Company |
en_US |
dc.subject.corpname |
Bankside Players |
en_US |
dc.subject.corpname |
Dundee Repertory Theatre |
en_US |
dc.subject.corpname |
Glasgow Citizens Theatre |
en_US |
dc.subject.corpname |
Ballet Joos |
en_US |
dc.subject.corpname |
Market Theatre |
en_US |
dc.subject.corpname |
Norman Marshall Company |
en_US |
dc.subject.corpname |
Old Vic Company |
en_US |
dc.subject.corpname |
Perth Repertory Company |
en_US |
dc.subject.corpname |
Pilgrim Players |
en_US |
dc.subject.corpname |
Sadler's Wells Opera Company |
en_US |
dc.subject.corpname |
Sadler's Wells Ballet Company |
en_US |
dc.subject.corpname |
Tennent Plays, Ltd. |
en_US |
dc.subject.corpname |
UNA Plays, Ltd. |
en_US |
dc.subject.corpname |
Wilfred Barbage |
en_US |
dc.subject.corpname |
Mary Newcomb |
en_US |
dc.subject.corpname |
Stanford Holme |
en_US |
dc.subject.corpname |
Walter Hudd |
en_US |
dc.subject.corpname |
Ballet Rambert |
en_US |
dc.subject.corpname |
Alfred Sangster |
en_US |
dc.subject.corpname |
Abraham Sofaer |
en_US |
dc.subject.corpname |
Imperial Opera Company |
en_US |
dc.subject.corpname |
Intimate Opera Company |
en_US |
dc.subject.corpname |
Lanchester Marionette Theatre |
en_US |
dc.subject.corpname |
Bankside Players |
en_US |
dc.subject.corpname |
Stanford Holme |
en_US |
dc.subject.corpname |
Traveling Repertory Theatre |
en_US |
dc.subject.corpname |
National Theatre of Ireland |
en_US |
dc.subject.corpname |
Latvia |
en_US |
dc.subject.corpname |
Belgrade Company |
en_US |
dc.subject.persname |
Breen, Robert |
en_US |
dc.subject.persname |
Porterfield, Cpl Robert |
en_US |
dc.subject.persname |
Harkness, Edward |
en_US |
dc.subject.persname |
Brent, J. Boyd |
en_US |
dc.subject.persname |
Ward, R.H. |
en_US |
dc.subject.persname |
Atkins, Robert |
en_US |
dc.subject.persname |
Whatmore, A.R. |
en_US |
dc.subject.persname |
Mavor, Dr. O.H. |
en_US |
dc.subject.persname |
Joos, Kurt |
en_US |
dc.subject.persname |
Guthrie, Tyrone |
en_US |
dc.subject.persname |
Raquin, Therese |
en_US |
dc.subject.persname |
Steuart, David |
en_US |
dc.subject.persname |
Dence, Marjorie |
en_US |
dc.subject.persname |
Browne, E. Martin |
en_US |
dc.subject.persname |
Cross, Joan |
en_US |
dc.subject.persname |
de Valois, Ninette |
en_US |
dc.subject.persname |
Langton, Basil C. |
en_US |
dc.subject.persname |
Alberty, Bronson |
en_US |
dc.subject.persname |
Barbage, Wilfred |
en_US |
dc.subject.persname |
Newcomb, Mary |
en_US |
dc.subject.persname |
Hudd, Walter |
en_US |
dc.subject.persname |
Sangster, Alfred |
en_US |
dc.subject.persname |
Sofaer, Abraham |
en_US |
dc.subject.persname |
Laurie, Vere |
en_US |
dc.subject.persname |
Woodhouse, Fredrick |
en_US |
dc.subject.persname |
Lanchester, Waldo S. |
en_US |
dc.subject.persname |
Beal, J. |
en_US |
dc.source.medium |
mimeograph |
en_US |
dc.date.published |
1946-01 |
en_US |
wrlc.source.box |
31 |
en_US |
wrlc.capture.operator |
cto |
en_US |