dc.description.abstract |
Although Appalachian clogging has been studied and explored in depth with regards to
early history and supposed beginnings of the dance form, little has been done to consider
the spread of clogging to areas outside of the Appalachian region of the United States. In
investigating the more recent movement of clogging to states like Utah, as well as the
current styles and forms of clogging, I explore how dancers today negotiate changing
ideas about tradition, identity, and community. I show that this uniquely American dance
form continues to develop and change in similar patterns to its initial evolution. I argue
that the footwork, movement styles, costuming, shoes, music, performance and
competition involved in clogging today is a manifestation of how individuals use heritage
and tradition to form an identity and create a community. Past and present Appalachian
clogging practice is a reflection of how tradition is both a resource and a process. |
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