dc.description.abstract |
This thesis examines the representation of the Latina characters in the Netflix original
series Orange Is the New Black, created by Jenji Kohan. Inspired by Piper Kerman’s
memoir, Orange Is the New Black: My Year in a Women’s Prison, the series creates a
unique representation of Latinas in US media.
The first chapter of this thesis provides a contextual overview while focusing on women in
the US prison system, gender and sexuality, and inter-ethnic relationships in the series.
Following the works of Judith Butler and Teresa de Laurentis, gender and sexuality are
proven to be fluid. Chapter One contains a comparison with other television series with
homosexual characters including Will & Grace and Bad Girls, as well as a study of
Episode 6, Season 2: “You Also Have a Pizza.” Inter-ethnic relationships in the series are
the final focus of this chapter.
The second chapter is a linguistic study. First is an examination of language use in Piper
Kerman’s memoir. Explanations of the terms “code-switching” and “translanguaging” are
provided using the works of Barbara E. Bullock, Almeida Jacqueline Toribio, and Suresh Canagarajah. The use of Spanish and code-switching of the Latina inmates in the series is
studied in several specific scenes. Finally, additional language use in the series is
examined, specifically German and Russian.
The third and final chapter is a study of Latina representation in US media. A brief history
of representation is provided, primarily following the works of Arlene Dávila, Isabel
Molina-Guzmán, and Angharad N. Valdivia. Character studies of Flaca Gonzales, Gloria
Mendoza, and Maritza Ramos are used to evidence the importance of the Latina characters,
as is Dayanara Diaz and John Bennett’s romantic relationship. The chapter concludes with
a look at the role of Netflix and the implications for Visual Culture Studies. |
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