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Affirmative and Ironic Resonances from the Personal Sheet Music Collection of Julia Ward Howe

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dc.contributor.author Gerber, Steven K.
dc.date.accessioned 2015-12-02T21:02:04Z
dc.date.available 2015-12-02T21:02:04Z
dc.date.issued 2015-12-02
dc.identifier.uri https://hdl.handle.net/1920/10041
dc.description Paper presented at joint conference of Atlantic and New York State/Ontario Chapters of Music Library Association, held at Duquesne University, Pittsburgh PA on October 4-5, 2013. en_US
dc.description.abstract Julia Ward Howe (1819-1910), the prominent 19th-century poet and reformer who famously penned the lyrics to “Battle Hymn of the Republic,” collected and bound for personal use five volumes of music; three volumes bear labels stamped “Miss Julia Ward” and two are labeled “Julia Howe,” postdating her 1843 marriage. The collection includes two complete operas in vocal score: Rossini’s Il Mose in Egitto and Beethoven’s Fidelio. The other three volumes contain 76 individual songs, primarily Lieder in German editions, but also 28 American imprints that range from Anglo-American sentimental songs to translations of European art songs and arias; most date from the 1830s and early 1840s. Howe’s adolescent education included musical training, and her singing and piano-playing around domestic hearths before and after her marriage was admired. She quickly rose to prominence both for her literary work and for her activism in favor of abolitionism and other causes, while diligently performing duties as mother to six children and wife to a physician and writer (who did not appreciate her talents and actively opposed her career and her emerging feminism). Her choice to acquire Mose in Egitto, a drama about deliverance from slavery, seems congruent with her abolitionist positions, while her interest in Fidelio, a drama about a courageous and self-empowered wife who rescues a grateful and loving husband (a score acquired after her marriage), resonates ironically with her actual domestic situation. With exceptions, the contents are atypical of such American owner-bound music albums, and the individual songs mirror the cultivated tastes of an educated connoisseur; minstrelsy is conspicuously absent.
dc.language.iso en_US en_US
dc.subject Howe, Julia Ward en_US
dc.subject owner-bound volumes en_US
dc.subject musical rarities en_US
dc.subject 19th-century music en_US
dc.title Affirmative and Ironic Resonances from the Personal Sheet Music Collection of Julia Ward Howe en_US
dc.type Presentation en_US
dc.identifier.doi http://dx.doi.org/10.13021/G86K57


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