A Bibliography for Women's Literature

On this page the reader interested in women's studies will find a bibliography of scholarship on women's art and lives, with an emphasis on women writers from the medieval through the 19th century European world. I include works on women in the visual arts, in music, and in film. To make these lists useful and to direct it generally I have divided and arranged the items as follows: 1) modern studies (general: historical, thematic, theoretical); 2) modern dictionaries (biographical and bibliographical, handbooks and companions); 3) anthologies (older as well as more recent); 4) modern studies (on individual women); and 5) primary texts.

Like the other bibliographies on this site, this is a working bibliography because I use it myself and mean to add to it as I go along. I hope eventually to add more 20th century and recent studies of individual women's writing and more about life-writing by women.1 This bibliography began life as a bibliography for students of early modern European women's lives and writing (whence the picture just below).

One of the best periodicals on the market for women's studies, and one which includes citations and reviews of the finest books as well as a monthly bibliography is The Women's Review of Books. The reader will also find information and links to further bibliographies of books and recent developments in women's studies on Rose Norman's website, Keep Women in Print and the University of Maryland's Women's Studies Database.


Caterina von Hemessen (1527/8 - ?1566), Portrait of a Lady, 1551


Modern Studies

General

Early Modern

1660-1830

After 1830

Dictionaries: Biographical and Bibliographical

Anthologies

Poetry

Prose

Drama

All Genres

Modern Studies: Individual Women

Early Modern

1660-1830

After 1830

Primary Texts

Early Modern

1660-1830

After 1830


1 The above bibliography began life as a selection of primary documents and secondary studies which I had been compiling while reading and writing about the writings of women writers since I first began my projects on Vittoria Colonna and Anne Finch. I was particularly interested in 1) works which delve the subjective experiences of women privately; 2) in women's texts as aesthetic literary objects from a psycholoanalytical standpoint; 3) and therefore as part of women's or woman-centered literary traditions and tropes in women's writing; 4) in works which frankly explore the sexuality of women's texts; and 5) in women who were themselves outsiders or subversive of the establishment in which they found themselves living. The emphasis was originally on English, French and Italian Early Modern women.


Page Last Updated: 2 January 2006.