The Actors Are Come Hither
dc.date.accessioned | 2009-08-21T16:27:23Z | |
dc.date.available | 2009-08-21T16:27:23Z | |
dc.date.created | 1949-06-13 | |
dc.date.issued | 1997-04-07 | |
dc.description | Clipping. | |
dc.identifier.other | 00000460_1 | |
dc.identifier.uri | https://hdl.handle.net/1920/4870 | |
dc.language.iso | en_US | |
dc.relation.uri | http://www.aladin.wrlc.org/dl/collection/hdr?bren | |
dc.source.extent | 11" x 8.5" | |
dc.source.medium | Xerox copy | |
dc.source.pagenumber | 77 | |
dc.source.publisher | Time | |
dc.source.repository | George Mason University. Libraries. Special Collections & Archives | |
dc.subject | Hamlet | |
dc.subject.corpname | Equity | |
dc.subject.corpname | ANTA | |
dc.subject.corpname | Barter Theatre | |
dc.subject.persname | Olivier, Sir Lawrence | |
dc.subject.persname | Gielgud, John | |
dc.subject.persname | Davis, Blevins | |
dc.subject.persname | Breen, Robert | |
dc.subject.persname | MacMahon, Aline | |
dc.subject.persname | Abel, Walter | |
dc.subject.persname | Derwent, Clarence | |
dc.subject.persname | Porterfield, Robert | |
dc.title | The Actors Are Come Hither | |
dc.type | Text | |
wrlc.capture.device | HP ScanJet IIc | |
wrlc.capture.operator | mrp | |
wrlc.capture.software | ScanStation 1.0 | |
wrlc.collection.identifier | bren | |
wrlc.object.color | 24 bit | |
wrlc.object.pages | 1 | |
wrlc.object.resolution | 120dpi | |
wrlc.source.box | 9 | |
wrlc.source.folder | 5 | |
wrlc.source.item | 11 |