The Role of Arirang on Solo Piano Works of Three Twentieth-Century Korean Composers: Unhoe Park, Junsang Bahk, and Bang Ja Hurh
dc.contributor.advisor | Monson, Linda A. | |
dc.contributor.author | Kim, Yoonji | |
dc.creator | Kim, Yoonji | |
dc.date.accessioned | 2013-08-09T15:40:17Z | |
dc.date.available | 2013-08-09T15:40:17Z | |
dc.date.issued | 2013 | |
dc.description.abstract | ABSTRACT | |
dc.format.extent | 127 pages | |
dc.identifier.uri | https://hdl.handle.net/1920/8292 | |
dc.language.iso | en | |
dc.rights | Copyright 2013 Yoonji Kim | |
dc.subject | Music | |
dc.subject | Arirang | |
dc.subject | Bang Ja Hurh | |
dc.subject | Junsang Bahk | |
dc.subject | Korean | |
dc.subject | Piano | |
dc.subject | Unhoe Park | |
dc.title | The Role of Arirang on Solo Piano Works of Three Twentieth-Century Korean Composers: Unhoe Park, Junsang Bahk, and Bang Ja Hurh | |
dc.type | Dissertation | |
thesis.degree.discipline | Music | |
thesis.degree.grantor | George Mason University | |
thesis.degree.level | Doctoral |
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