Dutch Seventeenth Century “High-life” Genre Paintings: The Motif of Porcelain and Its Diverging Themes

dc.contributor.advisorHo, Angela
dc.contributor.authorBaker, Adriana E
dc.creatorBaker, Adriana E
dc.date2020-12-03
dc.date.accessioned2021-09-22T14:25:26Z
dc.date.available2021-09-22T14:25:26Z
dc.description.abstractThis thesis explores the motif of porcelain in seventeenth century Dutch “highlife” genre paintings. “High-life” genre paintings depict imagery inspired by the everyday lives of the upper echelons of Dutch society. My focus is on the periods between 1648 to 1700 when a notable shift in genre paintings occurred. I will follow recent art historical research that contends “high-life” genre images created multiple layers of associations for their contemporary audiences. In particular, I am interested in the significance of the inclusion of porcelain in “high-life” genre paintings as one of the components that create intricate layers of meaning. It is notable that porcelain was a product made for domestic use, as were the paintings that feature them. Yet porcelain as a commodity carries associations of global trade and is thus tied to the public world of commerce. I will argue that the inclusion of porcelain in “high-life” genre paintings creates associations to Dutch national pride in their trade, and their worldly knowledge of the “exotic,” while adding to the visual language of domesticity.
dc.identifier.urihttps://hdl.handle.net/1920/12044
dc.language.isoen
dc.subjectPorcelain
dc.subjectVOC
dc.subjectDutch 17th Century
dc.subjectCollecting habits
dc.subject"High-Life" genre painting
dc.subjectDomesticity
dc.titleDutch Seventeenth Century “High-life” Genre Paintings: The Motif of Porcelain and Its Diverging Themes
dc.typeThesis
thesis.degree.disciplineArt History
thesis.degree.grantorGeorge Mason University
thesis.degree.levelMaster's
thesis.degree.nameMaster of Arts in Art History

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