De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop

dc.contributor.advisorSmith, Paul
dc.contributor.authorLee, Gyu Tag
dc.creatorLee, Gyu Tag
dc.date.accessioned2013-08-09T15:38:05Z
dc.date.available2013-08-09T15:38:05Z
dc.date.issued2013
dc.description.abstractK-Pop - contemporary Korean dance music - is currently becoming one of the noticeable popular music genres in the world. It was firstly globalized in East Asian region, and recently it is being globalized in the rest of the world including US and the West. This dissertation demonstrates that the development of K-Pop was based on globalization of culture, media, and communication technology such as the reinforcement of global copyright system, penetration of global media into East Asia, and digitalization worldwide. K-Pop is the localization/indigenization of global popular music within its own context. I demonstrate that due to the development of capitalism and globalization occurred in East Asia in the late 1990s and the early 2000s, a different type of `modernity' was established in the region. K-Pop was developed based on this new East Asian modernity, but it has been influencing East Asian audiences vice versa. In spite of the limitations, as pan-East Asian culture which has not existed before, K-Pop is now constructing new East Asian identity not only among regional audiences but also among ethnic East Asian in the rest of the world.
dc.format.extent275 pages
dc.identifier.urihttps://hdl.handle.net/1920/8228
dc.language.isoen
dc.rightsCopyright 2013 Gyu Tag Lee
dc.subjectMass communication
dc.subjectEast Asia
dc.subjectGlobalization
dc.subjectKorean Studies
dc.subjectK-Pop
dc.subjectPopular Music
dc.titleDe-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop
dc.typeDissertation
thesis.degree.disciplineCultural Studies
thesis.degree.grantorGeorge Mason University
thesis.degree.levelDoctoral

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