Conscious Objects, Infinite Capacity: A Personal Case Study With Collaborative Dialogue From Art, Neuroscience and Theology

dc.contributor.advisorFrederick, Helen
dc.contributor.authorCole McInturff, Cecilia
dc.creatorCole McInturff, Cecilia
dc.date2016-04-25
dc.date.accessioned2016-09-09T18:47:52Z
dc.date.available2016-09-09T18:47:52Z
dc.description.abstractThis thesis catalog chronologically records in-studio aspects of design, construction, and a substantive major edit of a 2015 sculptural exhibition completing MFA requirements for graduation. Also, it is a case study of incremental alterations in personal consciousness experienced throughout the 2011-2015 studio process. In the style of a collaborative dialogue, alternating my own text with excerpts of thesis research from art, neuroscience and theology, it examines ways the state of an individual‘s consciousness during creating holds larger societal impact. While not seeking nor required to prove theory, I conclude that creative works conceptually based on the less defined and the more innate, which though not religious are consciously and affirmatively belief-based in some way, impact culture distinctly from art made for other (totally legitimate) reasons, including political, economic, aesthetic ones. Further, I observe such art’s impact is critical to the serious and sustained cultural commitment – or belief in commitment - necessary in a culture for creativity itself to exist.
dc.identifier.urihttps://hdl.handle.net/1920/10377
dc.language.isoen
dc.subjectConsciousness
dc.subjectArt
dc.subjectNeuroscience
dc.subjectSculpture
dc.subjectTheology
dc.titleConscious Objects, Infinite Capacity: A Personal Case Study With Collaborative Dialogue From Art, Neuroscience and Theology
dc.typeThesis
thesis.degree.disciplineArt and Visual Technology
thesis.degree.grantorGeorge Mason University
thesis.degree.levelMaster's
thesis.degree.nameMaster of Fine Arts in Art and Visual Technology

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