Cyclic and Repetition-Based Structures as Narrative Tools in Golijov’s Ainadamar
Date
2022
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Abstract
Osvaldo Golijov’s music borrows musical styles from a wide variety of different cultures to create a distinctive brand of 21st-century storytelling. Ainadamar, his first opera, presents images of the life and death of iconic Spanish poet Federico García Lorca and actress Margarita Xirgu from a libretto by David Henry Hwang in a Spanish translation by Golijov. This paper analyzes Golijov’s use of cyclic and repetitive musical forms as a primary storytelling device both within individual movements and over the course of the whole opera.
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Keywords
Ainadamar, Cycles, Form, Golijov, Music theory, Opera