dc.contributor.advisor | Monson, Linda A. | |
dc.contributor.author | Kim, Yoonji![]() |
|
dc.creator | Kim, Yoonji | en_US |
dc.date.accessioned | 2013-08-09T15:40:17Z | |
dc.date.available | 2013-08-09T15:40:17Z | |
dc.date.issued | 2013 | en_US |
dc.identifier.uri | https://hdl.handle.net/1920/8292 | |
dc.description.abstract | ABSTRACT | |
dc.format.extent | 127 pages | en_US |
dc.language.iso | en | en_US |
dc.rights | Copyright 2013 Yoonji Kim | en_US |
dc.subject | Music | en_US |
dc.subject | Arirang | en_US |
dc.subject | Bang Ja Hurh | en_US |
dc.subject | Junsang Bahk | en_US |
dc.subject | Korean | en_US |
dc.subject | piano | en_US |
dc.subject | Unhoe Park | en_US |
dc.title | The Role of Arirang on Solo Piano Works of Three Twentieth-Century Korean Composers: Unhoe Park, Junsang Bahk, and Bang Ja Hurh | en_US |
dc.type | Dissertation | en |
thesis.degree.level | Doctoral | en |
thesis.degree.discipline | Music | en |
thesis.degree.grantor | George Mason University | en |