Bulldozers in the Desert: The Framing of Cultural Heritage Destruction in Palmyra in 2015

dc.contributor.advisorCobb, Sara
dc.contributor.authorCloud, Morgan
dc.creatorCloud, Morgan
dc.date2016-11-19
dc.date.accessioned2017-10-03T17:22:30Z
dc.date.available2017-10-03T17:22:30Z
dc.description.abstractThis thesis examines the history and prevalence of the destruction of cultural property during armed conflict and analyzes the way media frames are used to make sense of and define that destruction. The thesis uses Robert Entman’s Frame definition to look at a set of framing categories, based on previous research, to determine how they are used, and how they interact. Specifically, this analysis will use the case of ISIS and its destructive episode in the Syrian city of Palmyra in the second half of 2015. It examines the legal frameworks employed to combat it in order to discern how this phenomenon is conceptualized during armed conflict. These definitions necessitate different responses and are important to understand in the way the public and international institutions come to understand this phenomenon and its relationship to war.
dc.identifierdoi:10.13021/G82T1W
dc.identifier.urihttps://hdl.handle.net/1920/10732
dc.language.isoen
dc.subjectSyria
dc.subjectCultural heritage
dc.subjectArchitecture
dc.subjectFrame analysis
dc.subjectPalmyra
dc.subjectISIS
dc.titleBulldozers in the Desert: The Framing of Cultural Heritage Destruction in Palmyra in 2015
dc.typeThesis
thesis.degree.disciplineConflict Analysis and Resolution
thesis.degree.grantorGeorge Mason University
thesis.degree.grantorUniversity of Malta
thesis.degree.levelMaster's
thesis.degree.nameMaster of Science in Conflict Analysis and Resolution and Master of Arts in Conflict Resolution and Mediterranean Security

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